In a little over a week, I’ll be giving a presentation with illustrator Judy Newhouse, based on her illustration work and new book, The Beginning Illustrator’s Guide to Career Success (Tragus Media, 2017).
Judy will show some of her work, followed by an informal discussion between her and I. She’ll share her career strategies and I’ll share my viewpoint as an art buyer for a global publisher and what makes Judy a “go to” illustrator for assignments.
We’ll also touch on things from the book such as using or making reference material, copyright awareness, communication strategies, sample illustration requests and publisher’s fee structure/invoicing. We’ll end with student and guest questions.
This event is hosted by Montgomery County Community College and is free and open to the public.
When: Monday, April 16, 2018
Where: Montgomery County Community College (Central Campus, Fine Arts Center)
340 DeKalb Pike, Blue Bell, Pennsylvania 19422
~Please share this with others interested in the art or business of illustration.~
Dan Thompson’s red chalk portraits caught my attention due to their painterly nature and dry drawing materials. As someone who doesn’t always have time to break out oils, this technique lends itself to the expressive marks that brush and oil paint yield. Below are some pictures from his red chalk demo I attended at Studio Incamminati earlier this year.
If you’re interested my notes and some gems that Dan shared while executing this drawing (let me know in the comments), I’m happy to share! Dan holds this workshop (and others) in venues across the country. Visit his website for information http://danthompsonart.com. #art #drawing #teachingartist
Getting to know and understand NOTAN, a Japanese term that translates to light/dark harmony in the work, will help you add another dimension to your compositions.
One of my favorite painters, Jeremy Lipking uses Notan to reinforce the effect of this painting:
Images and palette information via oilcolorpalettes.blogspot.com
In this example above, Notan (contrast of light and dark) works subtly to help draw our eye to the focal point and then dances us around the space by the way of the light trim on the girls dress.
Jeremy Lipking’s oil color palette:
- Mixture: Ultramarine Blue, Titanium White, Alizarin Crimson (med value, cool blue for cooling colors)
- Titanium White
- Cadmium Lemon
- Cadmium Yellow
- Cadmium Orange
- Cadmium Red
- Alizarin Crimson Permanent
- Burnt Sienna
- Ultramarine Blue
- Golden Green
- Ivory Black
Source: Clifton Phachanla
Interested in purchasing these oil colors? Visit Blick Art Materials.
How jurying a show works for me
After talking with others on their jury process, I’ve come up with my own that works pretty well.
I base my selections for an organization’s survey show of members work (it would be different for a curated show) on these three qualities in each piece: mastery of composition, technique, and foremost, the expressive quality of the artist’s idea or concept. These qualities are what I return to when I analyze a piece. Other things affect my decisions as well, including presentation.
Recently, I was the juror for prizes for the 75th Anniversary Show of work by members of the Greater Norristown Art League in Pennsylvania being hosted by Montgomery County Community College. There were 125 works entered with eight prizes to be awarded, including “Best of Show.”
There were many high-quality traditional pieces in a variety of mediums entered in this show with some work having exciting non-traditional mounting methods and unique viewpoints in both 2D and 3D.
IF YOU GO: The show’s opening reception is Wednesday, Sept 15th, 5–7pm. Next week there will be a gallery talk on September 18, 1–3pm. The show will be up until Friday, September 30th at Montgomery County Community College, Fine Arts Gallery, Central Campus, 340 DeKalb Pike, Blue Bell, PA 19422 (USA).
As a designer, working in the studio with photographic lighting these past few months has been a fantastic experience. I recommend a basic understanding of photography and lighting for all creatives (including illustrators and painters). Having skills in this area will reap benefits for you as a graphic designer or illustrator (working with/directing photographers or setting up reference shots to paint or draw from for your fine art or illustration).
This portrait was taken with a Nikon D700 in a studio setting using flash. Thanks to Mr. Jeff for donning the gear and being super gracious throughout the shoot (you’ll have to take my word for it, he really was having a good time:)
Each week brings new challenges and tasks, whether it’s time with family, or projects in graphic design and publishing. Once in awhile, doubt creeps into my psyche around being on the “right” path. When that happens, this quote from the Dalai Lama helps me release doubt from my inner banter and concern myself with the things that matter today. “Man. Because he sacrifices his health in order to make money. Then he sacrifices money to recuperate his health. And then he is so anxious about the future that he does not enjoy the present; the result being that he does not live in the present or the future; he lives as if he is never going to die, and then dies having never really lived.”
Is there a quote or memory you have that helps relieve your worry and enjoy the present? Please take a minute to share it with me in the comments below.
In addition to my graphic design and publishing business, I am a painter, and over the next few weeks I will be putting final touches on new paintings for “Then and Now,” an exhibition at Ambler’s Art in the Storefront. This show will include paintings from when I was a young painter through today. The works for the exhibition will show a progression in my work including portrait, still life, and landscape paintings.
Save the date and stop by for the opening on Friday November 20, 2015, from 5:30–7pm. Art in the Storefront is a sidewalk event, and the work will be in the window of Denney Electric, so please dress for the weather and an enjoyable time! The show will be up until January 13, 2016. Street parking is available as well as a municipal parking lot. To see an animation of my painting process check out the slide show on the home page.
Solving the “blank page” or “TMI” Writing Dilemma
I am in the midst of developing an interactive authoring tool for artists to help them write about their art technique. The template will help artists organize material for professional publication or teaching an online or face-to-face class or workshop. Artists will also be able to document their working methods so others may reference it in the future. Here’s a sneak glimpse at the first page of the prototype. If you are interested to know when this becomes available for use, or you think you have an art technique book in you, please send me a message in the comments below or an email to karen (dot) kappe (at) gmail.com. I look forward to hearing from you!
A “Meet the Artists” Reception for the Annual Art Faculty and Invited Art Alumni Show is happening this Sunday, Feb. 2, 2014, from 1-3 p.m., at the Fine Arts Gallery in Blue Bell, PA. The show opened Tuesday, January 21, and will continue through Friday, February 14.
“Winter Tea in Kennett” by Karen Kappe Nugent, oil on canvas, 14″ H x 18″ W.
This is a show where invited alumni of the college art program and faculty show their work side-by-side. At drop-off I saw some exciting things, including work on plexiglass by one alumnus. The show will include paintings, ceramics, sculptures, and more.
Even though my painting in the show “Winter Tea in Kennett” was a 2013 Art of the State of PA award winner, the goal of this still life was to express the form and color of simple objects like a donated teapot I picked up at the Salvation Army, a cup and saucer purchased from Bed, Bath, and Beyond, and a tea fob that was my fathers. On the technical side, it was a challenge and a lot of fun to render the form, get just the right colors, and push the values in the painting. While this might look like a tightly rendered painting, it’s really not. There are a lot of painterly brushstrokes — and that’s one of the most enjoyable experiences of painting for me — capturing something with paint from my brush.
The college opens all its exhibitions to the public free of charge. For more information on the exhibition or artists in the show, contact the Gallery Director, Holly Cairns by phone at 215-619-7349 or email her email@example.com.
I spoke with illustrator Bot Roda about how he got his start in illustration, how he keeps his name out there and the best way for a designer to work with an illustrator.
Bot Roda’s love of drawing and illustration comes through in his work, and work has been coming through for him for 30 years. He built his confidence in Lancaster, PA at a local agency, and then following advice from his father, he realized “they’re not going to find me here [in Lancaster County, PA]…I’ll have to go there [New York].” Standing on a New York city street he called the Art Director at Field & Stream who told Roda to come up, he had 10 minutes for him. From there Roda began doing spot illustrations and then got the cover for Field & Stream.
Bot then made the move to artist reps in New York and PA. This led to new relationships and new clients, some of whom have worked with him for years. Bot continues to market himself regularly. For his latest marketing effort, he researched ad agencies, ad clubs and agency websites and culled 100 email addresses of key contacts or general mailboxes of his target market. He sent a 10 page pdf of his illustration samples and plans to follow-up.
Graphic designers and Art Directors call illustrators because the decision has been made that the visual solution should be an illustration. After the initial contact is made they agree to terms and a budget. Bot usually works with a graphic designer or art director who directs the illustration – the illustration might be a map, product illustration, or storyboard. They might also supply reference or “scrap” to work from for the illustration.
Bot credits his success to flexibility and his love of drawing and his work looks effortless, that is part of its appeal! It can be difficult to make it in the illustration field, but you can take these tips from Bot: Love what you do, build your confidence and market yourself.
Leave a comment about how you built your illustration career or ask a question.